Why Your Emails Get Ignored - (Even when they're well-written)

 
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Why Your Emails Get Ignored (Even When the Writing Is Good)

You spend a lotta time writing an email. You make sure you've got clear messaging, strong writing - and by the time you hit send, you feel good about it!

And then? Crickets. Tumbleweeds. No replies, no clicks. 

Tap, tap, tap. 🎤 Is this thing on?

Wondering why your emails get ignored when the copy is already good?

You're not the only one, I promise. I talk about this all the time with my friends, my colleagues, and my clients… 

Which is why I was excited to tackle it when Carly submitted her email for a Five-Minute Feedback review. 

One thing you should know: her writing was clear and well organized, so the problem was never the copy. But what was?

Let's find out. 

* These analyses are always done with the creator's permission - no roasting or tear-downs here.

What's Already Working in This Email

Carly's email is strong because it starts with a lived problem her reader feels: 

You finally carve out time for yourself, you start to feel some freedom in your business, and then… a client has a "quick question" and your whole plan disappears.

From there Carly reframes this problem as good news, because the interruptions mean the business has evolved and her priorities have changed. 

Then she explains what's happening underneath and offers a simple thing to try. 

Every one of those moves is sincerely useful and works.

 

Why Do Well-Written Emails Still Get No Response?

Well-written emails get ignored when they ask the reader to take in too much at once. 

Carly's email has four big ideas stacked into one 600-plus word send: the problem, the reframe, the deeper meaning, and the solution.

Each idea could be its own email. 

When you stack 'em, your reader nods along thinking "Omg. Yes, that's so me." 

And then thinks "Ok. Wow. I can't process all this right now." 

Because they're feeling the thing you're describing while trying to absorb it while also trying to wrap their head around this fix.

So it's natural that they'd back off.

This isn't because your audience doesn't get it. They need some room to sit with it before they can engage with it.

 

How to Improve Email Engagement: Give Each Idea Its Own Email

The fix for low email engagement is to break a dense email into smaller pieces your reader can digest one at a time.

I call this Fish Food: bite-sized nuggets they can take in, digest, and come back for more when they're ready.

For Carly, that could look like four emails. 

The first names the problem. Remember, some readers haven't even labeled this as a problem yet, so give them a few days to notice it. 

The second delivers the relief and her insightful reframe.

The third goes underneath to explain what's really driving it.

The fourth introduces the first step Carly takes with clients, backed by a client story or testimonial.

One email each - same ideas, but now they land and can be consumed.

 

Does Your Email Sound Like a Pitch Is Coming?

If your email sets up a problem and then points to your method, readers brace for a sale, and bracing makes people disengage. 

Carly never actually sells in this email, but the structure signals it…

And remember - it's all happening WHILE someone is processing the problem and the solution in the same email.

So they check out before they get to the good part.

Spreading the ideas across a few sends fixes this problem, too. 

By the time her pattern interrupt shows up, the reader's already done the necessary noticing…

So when she does offer her services, it'll feel like a natural next step instead of a pitch they weren't ready for.

 

Is Your Email Voice Too Formal?

Yes, if it reads like you're writing AT your reader instead of talking To them. 

Contractions are one way (and a quick way) to make your email sound less stiff and formal. 

It may seem silly, but swap "it is" for "it's" and "you are" for "you're" and it lets the reader feel a real person is on the other end.

 

Steal This for Your Own Emails

  • Count the big ideas in your last email. More than one? You've likely got several emails hiding in there.
  • Ask yourself: "Am I asking my reader to swallow too much in one sitting?"
  • If your concept is deep, break it into fish food and let it unfold over a few sends.
  • Check whether your setup sounds like a pitch is coming before you're ready to make one - and before your reader is ready to receive it.
  • Read it out loud. Does it sound like you?

 

Want Feedback on Your Email?

If your emails take you forEVer to write and you still can't tell where to tighten, where to add your voice, or how to break 'em up, that's exactly what a Second Opinion Call is for.

We spend 30 minutes walking through your piece. I'll show you what's not working, explain why, and tell you how to fix it…

So you leave with a clear next step instead of another round of guessing.

If I could get Carly this much clarity in five minutes, imagine what we can do in 30.

Grab your Second Opinion Call at jenliddy.com/secondopinion.

Yassss, gimme a Second Opinion please

WHO'S BEHIND THE SCENES HERE?!

Hey, I'm Jen Liddy 👋

A messaging strategist with 10+ years of experience helping experts say what you mean and get your audience to take action.  

Before that, I spent 15 years teaching English, analyzing and diagnosing communication problems for my students...

which is how I can spot what isn’t working and get precise about fixing your message - quickly & easily.

I'll show how to say what your audience needs to hear AND still sound like yourself...

Because they need your expertise and want their problem solved...

And you're the one to help them. 

Let's get yours sorted out in 30 minutes with a Second Opinion Call.

Find out more about Jen here